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1974:
Dustin Hoffman as Forrest Gump
Goldie Hawn as Jenny Curran
Burt Reynolds as Lt. Dan Taylor
Billy Dee Williams as Benjamin Buford "Bubba" Blue
Cloris Leachman as Mrs. Gump
Director: Peter Bogdanovich
​
​
1984:
Michael Douglas as Forrest Gump
Michelle Pfeiffer as Jenny Curran
Gary Busey as Lt. Dan Taylor
Danny Glover as Benjamin Buford "Bubba" Blue
Shirley MacLaine as Mrs. Gump
Director: Rob Reiner
​
​
1994:
John Travolta as Forrest Gump
Patricia Arquette as Jenny Curran
Michael Rooker as Lt. Dan Taylor
Keith David as Benjamin Buford "Bubba" Blue
Susan Sarandon as Mrs. Gump
Director: Robert Zemeckis
​
​
2004:
Robert Downey Jr. as Forrest Gump
Reese Witherspoon as Jenny Curran
Nicolas Cage as Lt. Dan Taylor
Jamie Foxx as Benjamin Buford "Bubba" Blue
Geena Davis as Mrs. Gump
Director: Ron Howard
​
​
2014:
Ryan Reynolds as Forrest Gump
Blake Lively as Jenny Curran
Bradley Cooper as Lt. Dan Taylor
Chadwick Boseman as Benjamin Buford "Bubba" Blue
Sandra Bullock as Mrs. Gump
Director: David O. Russell
​
​
2024:
Josh Peck as Forrest Gump
Florence Pugh as Jenny Curran
Garrett Hedlund as Lt. Dan Taylor
Michael B. Jordan as Benjamin Buford "Bubba" Blue
Angelina Jolie as Mrs. Gump
Director: Paul Thomas Anderson
View Poll

Vector the Crocodile - Bruce Campbell, Jeffrey Dean Morgan, Micheal B. Jordan
Espio the Chameleon - Daisuke Tsuji
Charmy Bee - Colleen o'Shaughnessey
Mighty The Armadillo - Micheal Mando, Micheal B. Jordan
Ray The flying squirrel - Tara Strong
Fang The Sniper - John Patrick Lowrie, Hugh Jackman, Karl Urban,
Bean The Dynamite - Aziz Ansari, Steven Ogg
Chief Pachacamac - Danny Trejo Sofía
Tikal the Echidna - Díana Bermudez, Ana de la Reguera, Selene Luna, Sofía Espinosa, Isabela Merced, Salma Hayek, Nisa Gunduz
E-102 Gamma - Corey Burton
Wendy Witchcart - Mia Goth, Shohreh Aghdashloo, Harriet Samson Harris
Battle Kukku XV - Nolan North
Speedy XVI - Maria Bakalova
Dr. Fukurokov - Mark Ivanar
Breezie The Hedgehog - Regina King, Janelle Monáe, Jena Malone, Pollyanna McIntosh
Vanilla The Rabbit - Maggie Robertson
Amy Rose - Kimiko Glenn
Big The Cat - Dave Fennoy, Patrick Warburton, Micheal B Jordan
Cream the Rabbit - Melissa Hutchison
Sticks the Badger - Margot Robbie, Paola Lázaro
Gerald Kintobor - Ron Perlman
Maria Kintobor - Mkeena Grace
Commander Abraham Tower - Frank Anthony Grillo
Subject Shadow The Hedgehog (Terios Kintobor) - (Paramount stated they want an A-list celebrity to voice Shadow) Keanu Reeves, Robert Pattinson, Pedro Pascal, Oscar Isaac, Micheal B Jordan
Rouge The Bat - Chloé Hollings, Marion Cotillard, Mélanie Laurent, Camille Cottin, Jordana Lajoie
Tom Wachowski’s father - Bob Odinkirk, Dustin Hoffman, Bill Murray, Micheal Keaton, Kurt Russell, John Goodman
Metal Sonic - Ben Schwartz(robotic filter)
E-123 Omega - Micheal B Jordan, Terry Crews, Jon Bernthal
Hazard The Bio-Lizard (Marzanna Kintobor) - Ivana Miličević
Void TrapDark - Jude Law, Dane DeHaan, Gerald Way, Scott Williams, Freddie Highmore,
Lumina Flowlight - Tabitha St. Germain
Blaze’s Mother - Janina Gavankar, Sakina Jaffrey
Blaze The Cat (Indian/British accent) - Priyanka Chopra, Devika Bhise, Varada Sethu, Simone Ashley, Ulka Simone Mohanty, Natasha Chandel
Marine the Raccoon - Sia, Katie Bergin, Bella Heathcote, Isla Lang Fisher, Rylee Alazraqui, Kendal Rae
Blaze’s Rival: Frost The Axotol(example)- Michelle Yeoh, Fala Chen, Antony Starr
Jet’s Father - Matt Ryan, Iwan Rheon
Jet The Hawk - Tony Hawk, Aaron Paul, Christopher Mintz-Plasse, Dante Basco, Ken Jeong, Joseph Gordon-Levitt, Jimmy O. Yang
Wave The Swallow - Sarah Margaret Qualley
Storm the Albatross (pacific, Oceania) - Dave Batista, Taylor Wily
Emerl The Gizoid - Augus Imrie, Kendal Rae,
Clutch The Possum - Micheal Rooker, Benjamin Byron Davis, Robert Allen Wiethoff
Tangle The Lemur - Lauren Keke Palmer, Brenda Song
Whisper The Wolf - Stefanie Joosten, Ana de Armas
Mimic The Octopus - Richard Colin Brake
Doctor Starline - Troy Baker, Hugh Grant,
Starline’s Love interest and partner -
Rough and Tumble the Skunks - Will Ferrell and John C. Reily, Jordan Peele and Keegan-Michael Key
Surge The Tenrec - Rachel Bloom, AJ Michalka
Kitsunami The Fennec Fox - Michael Cera, Kyle McCarley
Zavok - Christopher Judge, John Cena, Jon Bernthal
Master Zik - Frank Oz, Randall Duk Kim, Dustin Hoffman
Zeena -Mindy Kaling
Zor - Jaeden Martell, Dane DeHaan, Gerald Way
Zazz - Danny Brown,
Zomom - T.J. Miller
Black Doom -
,Keith David https://youtu.be/9LmOwEfPHUo
, Jackie Earle Haley - https://youtu.be/sF8zxctevXc
, Jon Bernthal - https://youtu.be/sDp4AuNen0Y
, Sean Schemmel -
, Ray Porter - https://youtu.be/aR8p4DIpxxE
,Karl Urban - https://youtu.be/ccF3uvpJ96I
Eclipse The Darkling - Norman Reedus
Callisto The Darkling - Carrie-Anne Moss
Dark Oak - Jeremy Irons
Black Narcissus - Angelina Jolie
Pala Bayleaf - John Leguizamo
Yellow Zelkova - Terry Crews
Red Pine - Pat Casey or Josh Miller
Cosmo The Seedrian - Carol Anne Day, Liliana Mumy
Lyric The Ancient(Owl like Longclaw) - Jackie Earle Haley
Johnny Lightfoot - Taron Egerton
Tekno The Canary - Paula Burrows
Porker Lewis - John Boyega, Daniel Radcliffe
Shorty “Shortfuse” The Cybernik - Cillian Murphy, Barry Sloane
Ebony The Cat - Gratiela Brancusi
Sonia The Hedgehog - Kiernan Shipka, Evan Rachel Wood, Isabella Merced, Jena Malone
Manic The Hedgehog - Joe Keery
Sally Acorn - Zendaya Maree Stoermer Coleman
Antoine D’Coolette - Tomer Capone, Bradley Cooper(hes fluent in French)
Bunnie Rabbot - Alex McKenna
Rotor The “Boomer” Walrus - John Cena
Nicole The Holo-Lynx - Ashly Burch
Lupe The Wolf - Amber Midthunder
Dulcy The Dragon - America Ferrera
Chip - Tom Holland, Freddie Highmore
Professor Dillion Pickle - Ian McKellen
Imperator Ix - Gary Oldman
Shade The Echidna - Lady Gaga
Infinite The Jackal - Kit Harington, Jon Bernthal
Silver The Hedgehog - Steven Yeun
Gold The Tenrec - Simone Ashley
Professor Von Schlemmer - Matthias Schweighöfer
Dr. Negan Robotnik a.k.a Eggman Neo - J.K. Simmons, Jeffery Dean Morgan, Giancarlo Esposito, Bryan Cranston, Pedro Pascal
Dr. Grimer Wormtongue - Ian McShane, Jackie Earle Haley
Chris thorndyke - Graham Verchere
Frost the hobidon - Dakota lotus
Juliet suter - Sydney Scotia
Antia/tania - Cassie glow
Perci - Stephanie lemelin
Preteen bokkun - Brett Gray
Park ranger - Patrick Warburton
Ashe - peyton r. perrine iii
Burst wisp - cherami Leigh
Uncle Charles - David Lengel
Bernadette - Melanie Zanetti

Credit to Disney for the first part and LMS for the second part
PLOT: Luca Paguro and Lucky Prescott discovers that the weather gets wild and extreme. But what they didn't discover that there are wolves in their world and this island. Luca and Lucky needed some help to save the island from the forces of evil. They have to save their home before it gives it the wrong hands.
Extreme Weather (2021) - Working on Storyboard - December 18, 2016-November 5, 2019 and Working on CGI - November 30, 2019-January 25, 2021
Theatrical release: December 16th, 2022
Digital release: December 16th, 2022
DVD release: March 17th, 2023
Blu-ray release: March 17th, 2022
4K Ultra HD Blu-ray release: March 18, 2022
Disney+ Release: December 16th, 2022 (along with other Nintendo Animation films (including Evil Peach and The Return of Evil Peach), Regency Animation films, 20th Century Animation films, Maldonado Studios (formerly Porchlight Entertainment) films, 20th Century Fox Classic Animation films, News Corp. Pictures theatrical animated films, Saban Animation films, News Corp. Animation films, Nicholas (franchise) films, Kingdom Entertainment films, 20th Television Animation theatrical animated films, Blue Sky Studios films, 20th Century Studios animated films, Fox Animation Studios films and Star)
Genres: Family/Animation/Comedy/Romantic/Action/Adventure/Sci-Fi/Thriller
Rated PG for some mild language, action/peril, brief rude humor, and mild violence, some scary images, a romantic scene, blood/mischief, and sequences of action violence. (USA)
Rated PG: (Canada) Rated PG (UK) (Rated PG) (Australia) Rated A (Mexico)
Cast: Jacob Trembaly, Isabela Merced, Idris Elba, Nicholas Cage, Freddie Highmore, Taylor Swift, Keegan-Michael Key, Jordan Peele, Marsai Martin, McKenna Grace, Leonardo DiCaprio, Eiza Gonzalez, Jack Dylan Grazer, Jake Gyleenhaal, Craig Robinson, Tom Holland, Emma Thompson, Octavia Spencer, Antonio Banderas, Rami Malek, Sean Astin, John Cena, Kumail Nanjiani, Bill Hader, Ralph Fennies, Zendaya, With Jeff Bregman, Eric Bauza, And Angelina Jolie
Directed by: Peter Jackson
Produced By: Jeff Fowler
Runtime: 2 hour and 00 minutes Color:
Color Aspect Ratio: 2.35:1
Language: English Country: United States
Disturbers: 20th Century Studios (VOD) (Theatrical) (though Walt Disney Studios Motion Picture)
Production Companies:
20th Century Animation, Walden Media, Blinding Edge Pictures
(full cast and crew are coming soon)
© 2021 20th Century Studios / 20th Century Animation. All rights reserved. © 2022 20th Century Studios Home Entertainment. All rights reserved.

New Voice Actors are in bold.
The following Operators are listed in the order that they appear in the datamine:

Operator	EN Voice Actor	KR Voice Actor
Lancet-2	--	이소은
Castle-3	--	최승훈
Yato	Jessica Mcdonald	우정신
Noir Corne	Ben Cura	류승곤
Rangers	David Menkin	김기현
Durin	Emma Ballantine	양정화
12F	James Phoon	김영선
Fang	Norma Butikofer	김하루
Vanilla	Stephanie Sheh	강새봄
Plume	Rosie Jones	윤미나
Melantha	Penelope Rawlins	윤미나
Midnight	Alex Jordan	--
Popukar	--	류점희
Cardigan	Anjali Kunapaneni	이재현
Beagle	Claire Morgan	이현진
Spot	Hyoie O'Grady	김지율
Kroos	Grace Hogg-Robinson	양정화
Adnachiel	Stefan Menaul	심규혁
Catapult	Clare Louise Connolly	--
Lava	Díana Bermudez	김하영
Hibiscus	Yuuki Luna	방연지
Ansel	Claire Morgan	안현서
Steward	Gregg Lowe	한만중
Orchid	Susie Riddell	여민정
Haze	Ratana	이슬
Gitano	Sarah Ovens	김보나
Greyy	Maihan	소연
Jessica	Rebecca LaChance	김하영
Meteor	Samantha Dakin	조경이
Vermeil	--	김서영
May	--	유영
Shirayuki	Rae Lim	민아
Courier	Joseph May	최승훈
Scavenger	Jennifer Armour	정유미
Vigna	--	안현서
Myrtle	Hollie Taylor	정유정
Dobermann	Lucy Montgomery	김현지
Matoimaru	--	채민지
Conviction	--	김현심
Frostleaf	Ina Marie Smith	장미
Estelle	Clare Corbett	김서영
Mousse	Angel Lin	조경이
Utage	--	최하리
Gravel	Naomi Mcdonald	채민지
Rope	Claire Morgan	이새벽
Myrrh	Angel Lin	강은애
Gavial	Natalie Winter	김유림
Sussurro	--	서유리
Perfumer	--	이현진
Matterhorn	Adam Diggle	장민혁
Cuora	Xanthe Huynh	정혜원
Gummy	--	김채하
Dur-nar	Triya Leong	--
Deepcolor	--	김새해
Earthspirit	--	채민지
Roberta	Becky Wright	김보민
Ethan	--	이상호
Shaw	Harriet Carmichael	서은비
Ptilopsis	Heather Nicol	김새해
Zima	--	이명희
Texas	Jessica Preddy	김채하
Grani	--	이재현
Reed	--	유보라
Swire	Emma Ballantine	김율
Franka	--	박고운
Indra	Polly Eachus	이새벽
Lappland	Christina Kowalchuk	서유리
Bibeak	--	이새아
Specter	Harriet Carmichael	김현심
Broca	--	성완경
Savage	--	이보희
Sideroca	--	김수영
Amiya (both classes)	Emma Ballantine	이지현
Blue Poison	Alex Tregear	우정신
Platinum	Rosie Day	김채하
Meteorite	Hollie Taylor	김수영
Executor	--	김영선
Skyfire	--	여윤미
Leizi	--	강시현
Lava the Purgatory	Díana Bermudez	김하영
Mayer	Anjali Kunapaneni	정혜원
Silence	Erica Lindbeck	--
Warfarin	Lindsay Morton	신송이
Ceylon	--	이보희
Mulberry	Julie Rogers	이지현
Nearl	Devora Wilde	김예림
Hung	--	최낙윤
Projekt Red	Jenny Yokobori	박신희
Waai Fu	--	윤은서
Liskarm	Megan Maczko	이새아
Croissant	--	양정화
Bison	--	배정미
Vulcan	--	장경희
Asbestos	--	정유미
Ashlock	Diana Bermudez	이지영
Provence	--	박지윤
Firewatch	--	장미
Cliffheart	Rebecca Yeo	김보영
Snowsant	--	방시우
Pramanix	Ashleigh Haddad	박고운
Istina	Risa Mei	김가령
Sora	--	장예나
Manticore	--	김보영
FEater	Ashleigh Haddad	송하림
Exusiai	Leonora Haig	이지현
Schwarz	--	박신희
Fartooth	Samantha Dakin	여윤미
W (and skin)	Caitlyn Bairstow	박고운
Rosa	--	최하리
Ch'en the Holungday	Amy Lennox	정유정
Siege	Claudia Jolly	가빈
Saileach	Meaghan Martin	김선혜
Ifrit	Jennifer Sun Bell	소연
Eyjafjalla	Hollie Taylor	김하루
Ceobe	--	류점희
Dusk	Aileen Mythen	배정미
Angelina	Lizzie Waterworth	이소은
Magallan	--	김보나
Skadi the Corrupting Heart	--	김나율
Phantom	Ben Cura	표영재
Aak	--	전숙경
Shining	Jane Jackson	김선혜
Nightingale	Sophie Colquhoun	이현진
Hoshiguma	Meaghan Martin	이새벽
Saria	Norma Butikofer	원에스더
Nian	Akira Lee Watanabe	김나율
Skadi	--	김나율
Silverash	James Day	남도형
Ch'en	Amy Lennox	정유정
Blaze	--	김연우
Surtr	--	서유리
Nearl the Radiant Knight	Devora Wilde	김예림
Flametail	Jennie Kwan	김보민
Wild Mane	Judy Alice Lee	김영은
Justice Knight	Ina-Marie Smith	김선혜
Honeyberry	Sophie Shad	윤은서
Pudding	Penelope Rawlins	김새해
Corroserum	David Menkin	김신우
Gnosis	Charles Aitken	전승화
Aurora	Sarah Burke	유영
Kjera	Sarah Ovens	전숙경
Shalem	Chase Brown	김명준
Ling	Denise Moreno	이다은
Lee	Joseph May	최한
Blacknight	Norma Butikofer	윤아영
Kroos the Keen Glint	Grace Hogg-Robinson	양정화
Goldenglow	Heather Nicol	정혜원
Quercus	Meaghan Martin	김연우
Fiammetta	Ina Marie Smith	김보나
Kazemaru	Penelope Rawlins	이자명
Enforcer	Chase Brown	신용우
Horn	Anna Burnett	성예원
Rockrock	Clare Louise Connolly	이유리
Chestnut	--	홍승효
Heidi	Sophie Shad	성예원
Specter the Unchained	Harriet Carmichael	김현심
Irene	Lizzie Waterworth	사문영
Lumen	Jay Rincon	민승우
Windflit	Caleb Yen	정의택
Erato	--	김윤채
Ebenholz	Atilla Akinci	엄상현
Hibiscus the Purifier	Yuuki Luna	방연지
Czerny	Gunnar Cauthery	이현
Dorothy	Allegra Clark	이은조
Greyy the Lightningbearer	Mark Daugherty	소연
Astgenne	Maya Aoki Tuttle	김이안
Gavial the Invincible	Natalie Winter	김유림
Pozëmka	Alyson Leigh Rosenfeld	박리나
Cantabile	Frankie Kevich	문선희
Minimalist	Caleb Yen	이주승
Stormeye	Dar Dash	--
Touch	Elsie Bennett	--
Sharp	Ben Starr	--
Pith	Rebecca Hanssen	--
Młynar	Anthony Howell	최현수
Proviso	Allegra Clark	김채린
Tulip	--	김채린
Highmore	--	이다은
Paprika	Erika Harlacher-Stone	--
Dagda	Eleanor Bennett	--
Stainless	Jack Ayres	--
Totter	Mercer Boffey	--
Lunacub	Stephanie McKeon	박하진
Vigil	Salvatore Scarpa	이상호
Penance	Allegra Clark	비주언
Texas the Omertosa	Jessica Preddy	김채하

Some totals (not counting R6S for EN voices):

• There are 174 Operators with KR voices.
• There are 135 Operators with EN voices.
• There are 51 Operators with KR voices, but no EN voices.
• There are only 12 Operators with EN voices, but no KR voices.

Source: https://raw.githubusercontent.com/Kengxxiao/ArknightsGameData/masteja_JP/gamedata/excel/charword_table.json

PLEASE give me more because I am still in the process of making that top 75 list (it used to be 50 but there are so many good acts I decided to expand it) but 13 acts have made the cut so far please let me know which others I should consider!

• Marcelito Pomoy (Singer The Philippines 2011)
• The Kiriku Brothers (Acrobatic Group Czechslovakia 2018)
• Diviyash & Manuraj (Beatboxer and Flautist India 2022)
• The Sacred Riana (Magician Asia 2017)
• Demolition Crew (Acrobatic Dancers India 2022)
• Ramadhani Brothers (Hand Balancers Australia 2022)
• Kseniya Simonova (Sand Artist Ukraine 2009)
• Hugo Molina (2 Year Old Drummer Spain 2019)
• Angelina Jordan (Singer Norway 2014)
• Jack Vidgen (Singer Australia 2011)
• Strauss Serpent (Contortionist Africa 2017)
• Ana Maria Margean (Kid Ventriloquist Romania 2021)
• Alexa Launberger (Dog Act Germany 2017)

Note: I reposted this to make the title easier to read. In any case, I hope you enjoy.
With the inclusion of a Friesian horse in Disney's live-action adaptation of The Little Mermaid (2023), I decided to debunk the "bad history" that has, since the 1980s, been associated with the Friesian breed since the release of the medieval fantasy film Ladyhawke (1985). This isn't a debunking of the use of a Friesian horse in The Little Mermaid itself; but rather, in the medieval TV and film genre as a whole.
Firstly, you may be asking, "What is the Friesian horse breed?"
According to Wikipedia:

The Friesian (also Frizian) is a horse breed originating in Friesland, in the Netherlands.
Although the conformation of the breed resembles that of a light draught horse, Friesians are graceful and nimble for their size. It is believed that during the Middle Ages, ancestors of Friesian horses were in great demand as war horses throughout continental Europe. Through the Early Middle Ages and High Middle Ages, their size enabled them to carry a knight in armour. In the Late Middle Ages, heavier, draught type animals were needed.
Though the breed nearly became extinct on more than one occasion, the modern day Friesian horse is growing in numbers and popularity, used both in harness and under saddle. Most recently, the breed is being introduced to the field of dressage, causing the decline of the draught-type, with its sturdy legs and back.

However, already we have some "bad history" in this Wikipedia article about the Friesian horse. Firstly, there is the misleading claim that "It is believed that during the Middle Ages, ancestors of Friesian horses were in great demand as war horses throughout continental Europe. Through the Early Middle Ages and High Middle Ages, their size enabled them to carry a knight in armour."
While horses from Friesland in the Netherlands were used - like all other medieval horses - these horses were divided into types, as opposed to breeds. Horse breeds would not popularly emerge until the 17th century at the earliest, and the Friesian horse breed - in its current form today - was not bred until the 18th and 19th centuries (1700s-1800s), and they were specifically bred to be carriage horses.
Carriage and driving horses are specifically bred to be driven under harness, as opposed to ridden. (Also see the differentiation between the Standardbred vs. Thoroughbred horse breeds.)
In fact, this is stated by another Wikipedia article, "Horses in the Middle Ages":

"It is also hard to trace what happened to the bloodlines of destriers when this type seems to disappear from record during the 17th century. Many modern draft breeds claim some link to the medieval 'great horse', with some historians considering breeds such as the Percheron, Belgian and Suffolk Punch likely descendants of the destrier. However, other historians discount this theory, since the historical record suggests the medieval warhorse was quite a different 'type' to the modern draught horse. Such a theory would suggest the war horses were crossed once again with 'cold blooded' work horses, since war horses, and the destrier in particular, were renowned for their hot-blooded nature."
Citations:
Carey, Brian Todd; Allfree, Joshua B; Cairns, John (2006) Warfare in the Medieval World. p. 113.
Clark, John (Ed) (2004) The Medieval Horse and its Equipment: c. 1150-c. 1450. p. 23.
Gies, Frances; Gies, Joseph (2005) Daily Life in Medieval Times. UK: Grange Books, originally published by Harper Collins in three volumes: 1969, 1974, 1990. p. 30, p. 88.
Prestwich, Michael (1996) Armies and Warfare in the Middle Ages: The English Experience. p. 30.

For more on types vs. breeds of horses, you can see the section "Types of horses" on that same Wikipedia page. However, for the purposes of this post, we will focus on three types used to classify medieval horses: Destriers, coursers, and rounceys.
Per the "Types of horses" section:

"Throughout the [medieval] period, horses were rarely considered breeds, but instead were defined by type: by describing their purpose or their physical attributes. Many of the definitions were not precise, or were interchangeable. Prior to approximately the 13th century, few pedigrees were written down. Thus, many terms for horses in the Middle Ages did not refer to breeds as we know them today, but rather described appearance or purpose.
One of the best-known of the medieval horses was the destrier, renowned and admired for its capabilities in war. It was well trained, and was required to be strong, fast and agile. A 14th-century writer described them as "tall and majestic and with great strength".
In contemporary sources, the destrier was frequently referred to as the "great horse", because of its size and reputation. Being a subjective term, it gives no firm information about its actual height or weight, but since the average horse of the time was 12 to 14 hands (48 to 56 inches, 122 to 142 cm), a "great horse" by medieval standards might appear small to our modern eyes. The destrier was highly prized by knights and men-at-arms, but was actually not very common, and appears to have been most suited to the joust.
Coursers were generally preferred for hard battle, as they were light, fast, and strong. They were valuable, but not as costly as the destrier. They were also used frequently for hunting.
A more general-purpose horse was the rouncey (also rounsey), which could be kept as a riding horse or trained for war. It was commonly used by squires, men-at-arms or poorer knights. A wealthy knight would keep rounceys for his retinue.
Sometimes the expected nature of warfare dictated the choice of horse; when a summons to war was sent out in England, in 1327, it expressly requested rounceys, for swift pursuit, rather than destriers. Rounceys were sometimes used as pack horses (but never as cart horses)."
Citations:
Clark, John (Ed) (2004). The Medieval Horse and its Equipment: c. 1150-c. 1450. p. 29.
Gravett, Christopher (2002), English Medieval Knight 1300-1400. p. 59.
Hyland, Ann (1998). The Warhorse 1250-1600. p. 221-222.
Oakeshott, Ewart (1998). A Knight and His Horse. Rev. 2nd Ed., p. 11-12
Prestwich, Michael (1996) Armies and Warfare in the Middle Ages: The English Experience. p. 30, p. 318.

Here, we see even more problems and issues with the "Friesian horse" article on Wikipedia. Firstly, there is the following excerpt, citing author Ann Hyland's book The Warhorse 1250–1600 (1998), pp. 2–3:

"The Emperor Charles (reigned 1516 -56) continued Spanish expansion into the Netherlands, which had its Frisian warhorse, noted by Vegetius and used on the continent and in Britain in Roman times. Like the Andalusian, the Frisian bred true to type. Even with infusions of Spanish blood during the sixteenth (16th) century (1500s), it retained its indigenous characteristics, taking the best from both breeds.
The Frisian is mentioned in 16th and 17th century works as a courageous horse eminently suitable for war, lacking the volatility of some breeds or the phlegm of very heavy ones. Generally black, the Frisian was around 15hh with strong, cobby conformation, but with a deal more elegance and quality. The noted gait was a smooth trot coming from powerful quarters. Nowadays, though breed definition is retained, the size has markedly increased, as has that of most breeds due to improved rearing and dietary methods."

The "Friesian horse" article on Wikipedia downplays the native Friesian of the 16th century (1500s) being crossbred to the Andalusian horse breed; which, if you take a closer look at, is actually the true "war horse" of the Middle Ages, and commonly credited with being the destrier - not the Friesian. This is also not counting that the infusion of Andalusian blood into the Friesian breed is not potentially documented until the Late Middle Ages, by which time knights in warfare were becoming obsolete.
Neither is Hyland's mention of "16th and 17th century works" pertinent to the era of the earlier Middle Ages, when there were fully-armored knights in plate mail on horseback. Hyland also claims that these "16th and 17th century works" claim that the Friesian was "generally black" by that time period; however, other sources indicate that the Friesian breed being uniformly bred to be black is a much more recent development in the breed - per some sources, within the past 100 years or so.
According to an article by the Friesian Horse Association of North America:

"The Friesian horse nowadays is bred exclusively black. The only white allowed is a small white spot between the eyes. In bygone days, Friesian horses could have different colors."
Citation: The following is an extract from the Summary in English which is part of the Dutch book titled “Het Friese Paard” by G. J. A. Bouma, 1979, and printed by Friese Pers Boekerij, b. v., in Drachten and Leeuwarden, The Netherlands. It is reproduced here by the Friesian Horse Association of North America with the kind permission from the author and Het Friesch Paarden-Stamboek.

Case in point, several black Friesians are carriers for the recessive ee/aa - or red or chestnut - base coat; and, once in a blue moon, a red Friesian foal will be bred from two black Friesian parents. However, modern Friesian studbooks usually prevent or frown upon such horses being registered, much less bred; in some cases, due to their color, they might be barred from the breed registry at all. This is thought to date back to the time when the Friesian was a carriage and driving horse (18th-19th century), when uniformly-colored teams of horses were greatly desired to pull carriages.
To circle around back to "horse types vs. horse breeds", another piece of bad history is the misconception that "the Friesian was used as a destrier by medieval knights". The Friesian Horse Association of North America claims on its website:

"The Friesian horse is gentle, honest, sober, high-mettled and clever. It is descended from the western European horse that has been in general use from the earliest days on and that attained high perfection in the Knight’s horse, the destrier. So far, it has been preserved in Friesland only. There is an increase of numbers outside the province."

This, too, is incorrect, as well as misleading. While the Friesian breed may be descended from horses of another breed that are strongly evidenced to have been destriers - that is, the Andalusian horse - the Andalusian horse and the Friesian horse are considered to be two separate breeds today.
The Wikipedia page "Friesian horse" briefly alludes to this...

"These ancestors of the modern Friesians were used in medieval times to carry knights to battle. In the 12th and 13th centuries, some eastern horses of crusaders were mated with Friesian stock. During the 16th and 17th centuries, when the Netherlands were briefly linked with Spain, there was less demand for heavy war horses, as battle arms changed and became lighter. Andalusian horses were crossbred with Friesians, producing a lighter horse more suitable (in terms of less food intake and waste output) for work as urban carriage horses."

...however, it also specifically states that the Friesian of the time period was a "heavier horse" that had to be crossed with the Andalusian to produce a "lighter horse". This implies that the Friesian was a draft breed. Draft types or breeds are typically used for pulling carts, carriages, and doing agricultural work, something that the destriers of the Middle Ages were certainly not used for. They were far too expensive and valuable to be used as mere cart horses, much less to be put behind the plow and used by peasants. (Would you let your employees use your three-figure sportscar to move furniture? No.)
It is far more likely that Friesian of the Middle Ages was not used as a destrier - that honor goes to the Andalusian breed instead - but instead, as rounceys, or coursers, if they were of a lighter type. The most likely option is the rouncey, which could be trained for war; but, unlike destriers, which were astronomically expensive - think like a triple-figure Ferrari or Maserati sports car today - the rouncey was the all-purpose Toyota Camry of the Middle Ages, something that fits the Friesian today.
Rounceys were also used by squires, men-at-arms, or poorer knights, and a wealthy knight would purchase and keep rounceys for his retinue. This also fits with older descriptions of Friesland troops riding Friesian horses; obviously, troops weren't wealthy individuals, but instead lower-class soldiers.
Under the section "Riding horses", we also see rounceys similarly mentioned:

"Riding horses were used by a variety of people during the Middle Ages, and so varied greatly in quality, size and breeding. Knights and nobles kept riding horses in their war-trains, saving their warhorses [i.e. destriers] for the battle.
The names of horses referred to a type of horse, rather than a breed. Many horses were named by the region where they or their immediate ancestors were foaled [i.e. "Friesian", as in "bred in Friesland"]. For example, in Germany, Hungarian horses were commonly used for riding. Individual horses were often described by their gait ('trotters' or 'amblers'), by their colouring, or by the name of their breeder.
The most typical riding horse was known as a rouncey. It was relatively small and inexpensive. The best riding horses were known as palfreys; another breed of horse was developed in the 14th century in England called a hackney, from which the modern term "hack" is derived. Because the hackney had a trotting gait it was not considered a comfortable ride for most purposes. Women sometimes rode rouncies, palfreys, or small horses known as jennets."
Citations:
Bumke, Joachim (2000) Courtly Culture: Literature and Society in the High Middle Ages, translated by Thomas Dunlap, USA: Overlook Duckworth (First published in 1986 as Höfische Kultur: Literatur und Gesellschaft im holen Mittelalter by Deutscher Taschenbuch Verlag). p. 178.
Prestwich, Michael (1996) Armies and Warfare in the Middle Ages: The English Experience. p. 30.
Oakeshott (1998), p. 14 and Prestwich, p. 31; Gravett, p. 59.

The article also distinguishes "Harness and pack horses" (i.e. the Friesian) from "Riding horses":

"A variety of work horses were used throughout the Middle Ages. The pack horse (or 'sumpter horse') carried equipment and belongings. Common riding horses, often called 'hackneys', could be used as pack horses.
Cart horses pulled wagons for trading and freight haulage, on farms, or as part of a military campaign. These draught horses were smaller than their modern counterparts; pictorial and archaeological evidence suggests that they were stout but short, approximately 13 to 14 hands (52 to 56 inches, 132 to 142 cm), and capable of drawing a load of 500 to 600 pounds (230 to 270 kg) per horse.
Four-wheeled wagons and two-wheeled carts were more common in towns, such as London and, depending on type of vehicle and weight of the load, were usually pulled by teams of two, three, or four horses harnessed in tandem.
Starting in the 12th century, in England the use of oxen to pull carts was gradually superseded by the use of horses, a process that extended through the 13th century. This change came because horse-drawn transport moved goods quicker and over greater distances than ox-drawn methods of transport."
Citations:
Dyer, Making a Living. p. 129
Labarge, Margaret Wade (1982) Medieval Travellers: The Rich and the Restless, republished 2005. p. 41.
Gravett, p. 59; Clark, pp. 9-10, 27-28.

Lastly, at the bottom, were the draught, or draft, horses used for agricultural purposes:

"For farm work, such as ploughing and harrowing, the draught horses utilized for these purposes were, in England, called 'affers' and 'stotts' (affrus and stottus in medieval Latin). These horses were usually smaller and cheaper than the cart horse.
[...] While oxen were traditionally used as work animals on farms, horses began to be used in greater numbers after the development of the horse collar. Oxen and horses were sometimes harnessed together. The transition from oxen to horses for farm work was documented in pictorial sources...which increased the cultivation of fodder crops (predominantly oats, barley and beans).
Horses were also used to process crops; they were used to turn the wheels in mills (such as corn mills), and transport crops to market. The change to horse-drawn teams also meant a change in ploughs, as horses were more suited to a wheeled plough, unlike oxen."
Citations:
Chamberlin, J. Edward (2006), Horse: How the Horse Has Shaped Civilizations.
Claridge, Jordan (June 2017). "The role of demesnes in the trade of agricultural horses in late medieval England" (PDF). Agricultural History Review. 65 (1): 5.
Clark, pp. 27-28; Gies & Gies, pp. 128, 147.

It should be noted that the Friesian horse's primary roots come from draft, or draught, horses, which would mean that many of its ancestors were likely the opposite of "destriers". Today, the Friesian horse is still classified as either a "light draft type", or a "heavy warmblood type".
Per the Wikipedia page "Heavy warmblood":

"The heavy warmbloods (German: Schwere Warmblüter) are a group of horse breeds primarily from continental Europe. The title includes the Ostfriesen ("East Friesian") and Alt-Oldenburger ("Old-Oldenburger"), Groningen, and similar horses from Silesia, Saxony-Thuringia, and Bavaria.
Breeds like the Hungarian Nonius, Kladruber, and Cleveland Bay are also often classed as "heavy warmbloods." They are the ancestors of the modern warmbloods, and are typically bred by preservation groups to fit the pre-World War I model of the all-purpose utility horse.
[...] European horses in the Middle Ages could fall into several categories, though as a group they were likely common, small, and primitive by modern standards. There were small, hardy farm horses, smooth-stepping saddle horses, quicker "coursers", and a very few highly prized, powerful destriers. As the availability of firearms grew, heavily armored knights and their heavy mounts became impractical 'relics of the past'.
The Spanish horses - ancestors of the Andalusian, the Danish Frederiksborg, and the Neapolitan horse - were particularly popular among the German nobility during the 17th and 18th centuries (1600s-1700s). As they collected these stallions, the residents bred them to their native mares, setting a foundation we would identify today as 'baroque'. From this base of thick, primarily dark-colored horses, the Groningen, Friesian, East Friesian, and Oldenburg would eventually be born.
[...] The most famous of the heavy warmbloods was the Oldenburg. Today's Oldenburg is bred for sport, and so the old type is designated as such: Alt-Oldenburger. The history of the Oldenburg is almost indistinguishable from that of horses bred in nearby East Frisia. Though there are two names (Old-Oldenburg and East Friesian), the horse is quite the same, having always exchanged genetic material.
The plow horses of the Frisian marshes had to be powerful to work through the heavy soil, and so were significantly heavier than farm horses in other parts of Europe. Organized horse breeding began in Oldenburg under Count Anton Günther (1603–1667), who brought popular stallions from Spain, Italy, Turkey, and Poland. Later on, Cleveland Bays were introduced as well, and the result was a solid, good-natured mare base from which came the Karossier."
Citation: "State Studs of Germany". Bernd Eylers. Archived from the original on 2008-02-03. Retrieved 2007-12-29.

A 2019 study of Friesian genetics also revealed the Friesian horse breed's closest genetic relative was not the Andalusian, but Belgian draft horses, used to pull plows in teams for agricultural purposes:

"Genetically least distant from the Friesian horses were the Belgian draft horses, the other coldblood horse population that was sampled. Identical findings were obtained by van de Goor and colleagues."
Source: Schurink A, Shrestha M, Eriksson S, Bosse M, Bovenhuis H, Back W, Johansson AM, Ducro BJ. The Genomic Makeup of Nine Horse Populations Sampled in the Netherlands. Genes. 2019; 10(6):480, citing Van de Goor, L.H.P.; van Haeringen, W.A.; Lenstra, J.A. Population studies of 17 equine STR for forensic and phylogenetic analysis. Anim. Genet. 2011, 42, 627–633.
Quote from the cited source: "We found three clusters of related breeds: (i) the cold-blooded draught breeds Haflinger, Dutch draft, and Friesian; (ii) the pony breeds Shetland and Miniature horse with the Falabella, Appaloosa and Icelandic; and (iii) The Warmblood riding breeds, together with the hot-blooded Standard-bred, Thoroughbred and Arabian."

Indeed, the the Draft Cross Breeders and Owners Association recognizes the Friesian horse as a "draft breed". Coupled with Eylers' article as a source above, this would mean that the Friesian horse breed - as we know it today - is not "the ancient, beautiful war horse of the Middle Ages", as claimed by so many sources on the Friesian online, but a more recent creation, dating back to the the transition from heavy armored knights to a more "modern" military towards the end of the Late Middle Ages.
While there is some physical evidence of Andalusian influence on the Friesian breed - most notably, their body structure, and flowing manes and tails, kept that way to mimic their claimed Andalusian ancestors - at the same time, the Friesian is a very physically distinct and different breed from the Andalusian, being heavier-built. There is also little documentation or evidence to support Andalusians being used to refine the Friesian horse, though this cross - called the "Warlander" in more recent years - was popularized in the 1990s, among other, lighter Friesian crosses (i.e. Friesian Sport Horse).
More specifically, "Warlander" was coined only in the late 20th century by the Classical Sporthorse Stud in Western Australia, who named the cross after their association with veterinarian Dr. Warwick Vale. The creators of the "Warlander", too, have made bad history claims closely related to those made about the Friesian; however, those claims are more or less a lot less pervasive and widespread than ones of about the Friesian. You'll find that this is a recurring theme with Friesian crossbreeders.
(Source: "The Warlander breed was officially developed in 1990 by Karen-Maree Kaye, Stud Principal of the Classical Sporthorse Stud [CSS] in Perth, Australia. CSS began with a successful Friesian x Thoroughbred breeding program which resulted in producing horses for movie horse trainers – Evanne Chesson of Australian Movie Livestock, as well as competition horses up to International level. The physical and mental attributes that set a high school horse apart, and the personal preference for a rounder, baroque type horse specifically suited to this discipline lead to the development of the Warlander for the stud.")
The question still remains: "Why misrepresent and do misleading marketing to sell the Friesian as a 'medieval war mount, used as a destrier by knights', when in reality, it was anything but?"
Part of the answer to this, too, lies in Eylers' article. Eylers states:

"War and the appearance of the horse-powered tractor in the 20th century increased the demand for heavier horses, which Oldenburg and East Frisia supplied. By the 1960s, such horses were obsolete, and their breeders had to adapt. From these horses was born the modern Oldenburg, and the old types were in danger of disappearing. In the 1980s, a new preservation society was formed, and with the help of horses from Poland, Denmark, the Netherlands and Moritzburg State Stud, the breed was saved. Today there are 20 approved stallions and 160 broodmares, all primarily black or dark bay in color. They are powerful and sound, but very gentle horses."

The Friesian horse breed, being closely related to the old-type Oldenburg horse breed - also called "Bovenlanders" - was also in danger of going extinct by the 1980s, largely due to the mechanization of the agricultural sector in which it had been bred for, as well as the transition from horse-drawn carriages to motorized cars. This caused a massive decline in draft horse breeds across Europe.
Per the Wikipedia article "Friesian horse":

"At the time, the Friesian horse was declining in numbers, and was being replaced by the more fashionable Bovenlanders, both directly, and by crossbreeding Bovenlander stallions on Friesian mares. This had already virtually exterminated the pure Friesian in significant parts of the province in 1879, which made the inclusion of Bovenlanders necessary.
While the work of the society led to a revival of the breed in the late 19th century, it also resulted in the sale and disappearance of many of the best stallions from the breeding area, and Friesian horse populations dwindled. By the early 20th century, the number of available breeding [Friesian] stallions was down to three.
[...] Displacement by petroleum-powered farm equipment on dairy farms also was a threat to the survival of Friesian horse. The last draught function performed by Friesians on a significant scale was on farms that raised dairy cattle. World War II slowed the process of displacement, allowing the population and popularity of the breed to rebound.
Important in the initial stage of the recovery of the breed was due to the family-owned Circus Strassburger, who, having fled Nazi Germany for the Low Countries, discovered the show qualities of the breed, and demonstrated its abilities outside of its local breeding area during and after the Nazi occupation."

The Friesian would go on to be used in Circus Strassburger as a show and performance horse - similar to Medieval Times today - until the circus closed in 1963. Harry Belli, who once performed with Circus Strassburger, went on to use Friesian horses in his own "Circus Belli" until 1975.
Enter the 1985 film Ladyhawke, in which a 19-year-old Friesian gelding named Goliath was used prominently in the film as the mount of the lead, Etienne Navarre (Rutger Hauer).
According to one article on the topic:

"Othello was a circus performer [horse] for Manuela [Estrella] Beeloo, his owner."

From what I could pull up on a Google search, Manuela Estrella Beeloo was a female circus performer and horse trainer hired for Ladyhawke (1985). Typically, these horse trainers also provide their own trained horses for the production. Beeloo had previously been a horse trainer for Circus Krone-Bau in 1976 - or the 1970s - in the Netherlands, and had worked with Friesians in the circus industry before.
Friesians were first imported to the United States in 1974, when Tom Hannon of Canton, Ohio, did so. Later on, in 1984, the "Friesian Connection" was founded by Dutch couple Robert and Arlene DeBoer when they imported three Friesian mares from the Netherlands. From there, it expanded into a well-established breeding program, training, selling, and importing horses from the Netherlands.
Fred DeBoer would eventually become one of the founding fathers of FHANA (Friesian Horse Association of North America). DeBoer had a dream of bringing his native horse, the Friesian, to the United States in the 1980s. Within 25 years, he accomplished his dream, and established himself as one of the top Friesian breeders on the West coast. Fred DeBoer - also known as "Feike" - was born in Friesland, Holland, where the Friesian originated, and he took a sense of national pride in the breed.
In 1983, the first meeting to organize the Friesian Horse Association in the U.S. was held in Visalia, California. As Ladyhawke also began filming the same year, the Friesian Horse Association subsequently decided to use Ladyhawke (1985) as an attempt to promote and preserve the Friesian breed, building a modern - and very misleading - fantastical mythology around the breed to match the medieval fantasy setting of Ladyhawke.
Dutch breeder Fred DeBoer, who had been trying to increase the breed’s popularity in America for years, was grateful to Ladyhawke for doing what he had failed to do. However, this also included the Friesian Horse Association - helmed by DeBoer - wrongly claiming that the Friesian "was, in fact, the destrier once ridden by medieval knights".
In turn, Rutger Hauer - the Dutch movie star who had ridden the Friesian gelding Goliath in Ladyhawke - also fell in love with Goliath and the Friesian breed, seeking to help promote it to the masses. In 1988, Fred DeBoer presented Rutger Hauer with a 3-year-old Friesian from his own farm for what he had done to promote the breed in Ladyhawke. Hauer showed it off at the L.A. Equestrian Center.
Ladyhawke also caused a lot of new interest in the previously-unknown Friesian breed in the U.S. Per one equestrian who was around at the time of the film's release:

"Unless you were in the competitive driving world back in 1985, Friesians were practically unknown to the wider equestrian community in the United States. Then Ladyhawke comes out, and posters of Rutger Hauer sitting on a magnificent black horse were slapped on the sides of movie theaters everywhere. That’s when the horse world loses its collective mind. I remember my horse magazines filled with letters to the editor asking 'WHAT IS THAT HORSE?' Then a few months later, those magazines had articles about Friesians. Everyone wanted one. I wanted one. I still want one. Before long, Friesians are showing up in the show ring, and then on the big and little screens."

After Ladyhawke (1985) became a cult classic, the Friesian horse breed would experience an explosion in popularity across Hollywood, appearing in many other TV shows and movies - including the Zorro film franchise starring Antonio Banderas as the Mexican masked hero. Friesians have featured in English historical dramas such as Emma and Sense and Sensibility; fantasy movies, such as Eragon and Interview with a Vampire; children’s movies like Disney’s Tall Tales; and even blockbusters about ancient history, such as 300, starring Gerard Butler; and Alexander, starring Colin Farrell and Angelina Jolie, in which a Friesian stallion played the part of Alexander the Great’s famous horse, Bucephalus.
Friesians also featured in Conan the Barbarian, The Chronicles of Narnia, Clash of the Titans, Wonder Woman, The Hunger Games, and more. As soon as Ladyhawke popularized the Friesian horse breed in Hollywood, Friesian horse breeders began marketing their horses for use in TV and film, and entire cottage industry sprang up around this. (More recently, trainers have tried including different breeds.)
The price tags on buying Friesian horses also skyrocketed. Today, a single Friesian horse can go for $10,000 or more in the United States, meaning there's much money to be had in the breeding of Friesians, as well as crossbreeding Friesians with lighter-build horse breeds to produce "Friesian Sport Horses". The number of Friesians in the U.S. had swelled to 8,000, and then nearly doubled to 14,000.
(However, due to the breed being descended from only a few horses, inbreeding is also rampant within the breed. This has also been the focus of a slew of studies on Friesians over the years.)
Yet, every time a new movie or TV show uses a Friesian horse - especially in a medieval or ancient setting - it reinforces the myth and stereotype that the Friesian as a "medieval treasure". Despite this myth helping to save the Friesian breed, it is also used as a misleading marketing tactic - tantamount to false advertising - in order to artificially inflate the high prices that Friesian horses go for nowadays.
One source I found even defends the use of Friesians, even in "atypical settings", with this excuse:

"To the general audience [unfamiliar with history and horses], a horse is a horse is a horse. A misplaced breed of horse is unlikely to be as noticeable as, say, a jet's contrail streaking through the sky above Herod's temple in the first century. The reality is Spartans probably weren't as large as their actors portrayed them to be, either. But when it comes to creating epic battle scenes, a little freedom is taken by directors, and they can be forgiven for wanting to use such a majestic-looking animal in their film."

In my own view, Friesians are the "white tigers" of the horse world.
While they appear flashy and beautiful on the surface - which made them popular for decades in circus, and Las Vegas performances with Siegfried and Roy - this outward façade of beauty often hides many genetic and other problems within the Friesian horse breed. The bigger the breed grows in numbers, the more inbreeding is required to produce more Friesians. This has also led to increasing concerns within the past decade pertaining to animal welfare, and the breed's closed studbook.
(For more on this topic, you can read "The trouble with Friesians" by Kenneth Marcella, DVM, c. 1 June 2013, as well as "Tipping Point for the Friesian Horse?" by FHANA, c. 28 April 2022, among other studies. There's an entire rabbit hole to dive into there, for the more scientifically-minded.)
Meanwhile, Googling "Friesian horse" continues to bring up a plethora of bad history regarding the breed, as well as its claimed origins as a "medieval war horse". The Friesian of the Middle Ages bore little, if any, resemblance to today's heavily-inbred breed. Instead, today's Friesian should be known as the "circus horse", since it went from being a "carriage horse" to being used in entertainment.